A Dysfluency Manifesto

en
April 2024
*
Version 1
150
signatories
https://files.stutteringcommons.org/manifesto-full.m4a
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en

We welcome stuttering in all its forms, frequencies, and intersections, recognizing that we all stutter and stammer in different ways. Collectively, we desire a space (and time) for people with dysfluencies and their allies to explore, celebrate, study, and document vocal differences.

We are collaborators with interests in promoting dysfluent speech as an aesthetic and expressive value in a culture that demands speed, efficiency, and fluency in voice. Many of us are people who stutter or stammer in our speech. We view our speech (and your speech, too) as beautiful in all its voluntary and involuntary utterances. Some of us have gained from our collaborations with speech-language therapists; some of us have been traumatized by that same work. Some of us are working toward a radical revisioning of therapeutic approaches to stuttered speech through stutter-affirming conversations and dialogues. In our collaborations (past, present, and future), we challenge the primacy of biomedical expectations about fluent speech. We love and celebrate the diversity of speech patterns, the pauses in voice, communication, and thought, that dysfluencies introduce in conversation, and we sustain those conversations through ongoing interdisciplinary dialogue.

We aim to produce accessible and sustainable resources that generate new understandings of speech dysfluencies and a transformative sense of belonging for those who speak dysfluently.

We fundamentally value those with dysfluent speech and disabled voices, inviting individuals, communities, academics, activists, artists, and therapists into a shared dialogue about how we experience, understand, and interpret dysfluencies. We challenge the medical models, social norms, and discriminatory practices that view dysfluency in terms of deficit, and we claim stuttering as a legitimate and valued form of speech variation within a soundscape of vocal difference and diversity. Our ongoing resources create vital connections between academic research, creative practice, and public accessibility and inclusion.

We honour the rich and varied sounds of stuttered speech by ensuring they are heard and experienced within an emerging stuttering culture.

We understand stuttering culture as the generative, creative potential of stuttering, seeing it as inherently valuable. A stuttering culture produces and amplifies more dysfluencies and creates an international community. We appreciate cacophony and ruptures in art, which contribute to how we understand and value dysfluent speech. We foster this sense of culture through international conversations in art, education, therapy, science, and lived experience. A stuttering culture values educational resources, publications, podcasts, conferences, events, exhibitions, and digital archives. We recognise stuttering’s cultural heritage and contemporary contributions, and we add to this soundscape of divergent voices. We delight in all the places that stuttering appears: the conversation, the discussion, the joke, the comic, the poem, the interview, the story, the dialogue, the monologue, the song, the stage, and the classroom.

We invite individuals, academics, activists, artists, and therapists into progressive and emancipatory dialogue about how we experience, understand, represent, and document dysfluency in all its intersections to support collective action and social change.

We aim to deconstruct, unsettle, rupture, and bend fluency privilege through harnessing the generative potential of dysfluency across cultures to support shared world building and knowledge mobilization. We strive to build and sustain a dysfluent future through stammering pride and speech diversity. We invite those with dysfluent, disabled, neurodivergent, and minority voices into future collaborations advocating for transformative belonging.

“A dysfluency manifesto” [text and audio] © 2024 by Stuttering Commons is licensed under Creative Commons Attribution-ShareAlike 4.0 International CC BY-SA 4.0

Read in English by Maria Stuart, Daniel Martin, Conor Foran, Sam Simpson, Patrick Campbell and Joshua St. Pierre.

French translation by Christine Tournier-Badbré, CC BY-SA 4.0. Portuguese translation by Sofia Fernandes, proofreading by Igor Lôbo, CC BY-SA 4.0. Spanish translation by Angelica Barnabe, CC BY-SA 4.0.

Sign Our manifesto

Thank you for signing the manifesto and joining us in disrupting dysfluency privilege.
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Name Surname
Country
04/2024
John Kenney
Canada
04/2024
Gareth Walkom
Belgium
04/2024
Yoshikazu Kikuchi
Japan
04/2024
Voon Pang
New Zealand
04/2024
Penny Farrell
Ireland
04/2024
Nem Kearns
Ireland
04/2024
Elaine McGreevy
United Kingdom
04/2024
Pablo Manriquez
Peru
04/2024
Hanan Hurwitz
Israel
04/2024
Lauren Tyson
United Kingdom
04/2024
Helen Carpenter
United Kingdom
04/2024
Pedro Pereira
Portugal
04/2024
Dilpreet Dhinjan
United Kingdom
04/2024
Josh Compton
United States
04/2024
JJJJJerome Ellis
United States
04/2024
Jerry Okiki
Kenya
04/2024
Liam McLaughlin
United States
04/2024
Tatiana Cavalcanti
Portugal
04/2024
Nic Maddy
United Kingdom
04/2024
Isabel Bercande Blanco
United States
04/2024
David Alvarado
Mexico
04/2024
Izamara Espinoza
Nicaragua
04/2024
Abhilash Nair
India
04/2024
Igor Lôbo Siqueira Rodrigues
Brazil
04/2024
Emmanuel Addo
Ghana
04/2024
Gabriela Martins Kechichian
Brazil
04/2024
Fernando Andrade
Brazil
04/2024
Otávio Wolf
Brazil
04/2024
Iñaki Sánchez
Spain
04/2024
Oskari Piilonen
Finland
04/2024
Rusha Chowdhury
India
04/2024
Allison Ladavat
United States
04/2024
Ezra Horak
United States
04/2024
Abdelaziz El Sabrout
Egypt
04/2024
Seth Tichenor
United States
04/2024
Catherine Chan
Hong Kong
04/2024
Aidan Sank
Canada
04/2024
Maria Fernanda Tamagnone
Argentina
04/2024
Caroline Cristina Ferreira Gama
Brazil
04/2024
Maria Anita Fernandes
Brazil
04/2024
Aaaalexandra Martins Costa
Brazil
04/2024
Paul Aston
United Kingdom
04/2024
Anita Blom
Sweden
04/2024
Geneviève Lamoureux
Canada
04/2024
Alexandra Torrez
Bolivia
04/2024
Jhoan Stiven Gallego Bermúdez
Colombia
04/2024
Stephanie Leyton
Peru
04/2024
Ana Espinoza
Chile
04/2024
Gustavo Sofia Fernandes
Brazil
04/2024
Hope Gerlach-Houck
United States
04/2024
Cynthia Dacillo
Peru
04/2024
Jeff Gluckman
United States
04/2024
Patrick Campbell
United Kingdom
04/2024
Conor Foran
Ireland
04/2024
Bart Rzeznik
United Kingdom
04/2024
Chris Constantino
United States
04/2024
Sam Simpson
United Kingdom
04/2024
Maria Stuart
Ireland
04/2024
Daniel Martin
Canada
04/2024
Joshua St Pierre
Canada
04/2024
'Honest Speech' is a poem about stuttering performed by Erin Schick at National Poetry Slam 2014 in Oakland, California. 
Honest Speech
No items found.
In 2016, Alda Villiljós collaborated with Málbjörg, the National Stuttering Association in Iceland to photograph people in the moment of stuttering. 
Stuttering pride is starting to mature. No longer a hushed whisper that might evaporate if spoken aloud, the social movement of stuttering pride has turned to root and flower.
A postcard design by Conor Foran featuring a quote taken from Joshua St Pierre's 2017 article on the blog Did I Stutter?
Patrick Campbell
Alternative voices was a series of continuity announcements on Channel 4 by individuals with a variety of communication differences. They were released and used in December 2013. The announcements involve: Kate, who is an Augmentative and alternative communication device user; Matthew, a person who stammers; Jess Thom, who has Tourette’s; Alex, a deaf actor who uses both speech and British Sign Language (BSL); and Luke, who has Tourette’s.
Alternative Voices
No items found.
Patrick Campbell
Alternative voices was a series of continuity announcements on Channel 4 by individuals with a variety of communication differences. They were released and used in December 2013. The announcements involve: Kate, who is an Augmentative and alternative communication device user; Matthew, a person who stammers; Jess Thom, who has Tourette’s; Alex, a deaf actor who uses both speech and British Sign Language (BSL); and Luke, who has Tourette’s.
Alternative Voices
No items found.
https://files.stutteringcommons.org/soundscape-of-vocal-difference-and-diversity.m4a
Patrick Campbell
My Generation by the WHO was released in October 1965. It was written by guitarist and song-writer Pete Townshend. The personnel involved in the recording were: Roger Daltrey, lead vocals; Pete Townshend, electric guitar and backing vocals; John Entwistle, bass guitar and backing vocals; and Keith Moon, drums. A range of stories exist as to the reason for Roger Daltrey’s distinctive staccato delivery. Producer Shel Talmy called it "one of those happy accidents". At first, the BBC banned the song, concerned it would be offensive to those who stutter. They reversed this decision after its initial success. The song is often included in lists of the greatest rock songs of all time.
My Generation
No items found.
Patrick Campbell
My Generation by the WHO was released in October 1965. It was written by guitarist and song-writer Pete Townshend. The personnel involved in the recording were: Roger Daltrey, lead vocals; Pete Townshend, electric guitar and backing vocals; John Entwistle, bass guitar and backing vocals; and Keith Moon, drums. A range of stories exist as to the reason for Roger Daltrey’s distinctive staccato delivery. Producer Shel Talmy called it "one of those happy accidents". At first, the BBC banned the song, concerned it would be offensive to those who stutter. They reversed this decision after its initial success. The song is often included in lists of the greatest rock songs of all time.
My Generation
No items found.
https://files.stutteringcommons.org/song.m4a
Performed by artist and composer JJJJJerome Ellis in March 2024, Voice and Breath bridged the worlds of stammering, music, art and performance in the Tate Modern's Turbine Hall, London. 
Voice and Breath
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Stuttering may give us special insight into language by breaking it open and exposing its seams.
Who We Are is an audio love letter to the diversity that exists within the stuttering community. It aims to represent as many different languages, accents and voices as possible.
Who We Are
Voices of the Stuttering Community
Stammering Pride Against Prejudice was a conference held in City Lit in September 2023, hosted by Sam Simpson and Patrick Campbell. Intersectionality and stammering culture were among some of the topics explored. It was a follow up to the landmark conference and publication, Stammering Pride and Prejudice.
What does good speech therapy look like? Should you focus on spontaneity over fluency? "It's ok to stutter" can be a powerful message.
My goal is no longer to achieve fluency—because why should I have to?
Let's find new words
Kaitlin Naughten
Conor Foran
Whether people who stammer consider themselves disabled or not does not stop them from being disabled by society. As long as society views stammered speech as inferior, they will be disabled by societal norms.
Stammering Pride and Prejudice: Difference not Defect
Patrick Campbell
Christopher Constantino
Sam Simpson
Conor Foran
Whether people who stammer consider themselves disabled or not does not stop them from being disabled by society. As long as society views stammered speech as inferior, they will be disabled by societal norms.
Stammering Pride and Prejudice: Difference not Defect
Patrick Campbell
Christopher Constantino
Sam Simpson
https://files.stutteringcommons.org/dysfluent-speech-and-disabled-voices.m4a
Patrick Campbell
This is a video clip of the House of Commons during the 2012 Autumn Statement. It shows Ed Balls, a person who stammers and politician, speaking and being jeered and mocked for a moment of stammering. The Autumn Statement is an important part of a political calendar in the UK. The political party in power presents their monetary policy for the year. The opposition party then has a chance to ask questions and critique the policy. Ed Balls was in opposition government and the person, as shadow chancellor of the Ex-Chequer, in the role to give the main critique. He is a person who stammers and he stammered during his repost. The main party in governing power laughed and mocked him. Ed Balls has became an active advocate of people who stammer in the UK over the years after these experiences.
Patrick Campbell
This is a video clip of the House of Commons during the 2012 Autumn Statement. It shows Ed Balls, a person who stammers and politician, speaking and being jeered and mocked for a moment of stammering. The Autumn Statement is an important part of a political calendar in the UK. The political party in power presents their monetary policy for the year. The opposition party then has a chance to ask questions and critique the policy. Ed Balls was in opposition government and the person, as shadow chancellor of the Ex-Chequer, in the role to give the main critique. He is a person who stammers and he stammered during his repost. The main party in governing power laughed and mocked him. Ed Balls has became an active advocate of people who stammer in the UK over the years after these experiences.
https://files.stutteringcommons.org/demands-speed-efficiency-and-fluency-in-voice.m4a
Paul Aston is a figurative painter working in Cambridge in the United Kingdom. He explores the experience of stammering through paintings that celebrate stammering as just the way people speak.
Patrick Campbell
Willemijn Bolks is a stutterer and creative in the Netherlands. She has been making comics for the past few years to help herself and others understand the experience of stammering. She shares her comics on Instagram and has an online shop too. She shared this comic on International Stammering Awareness Day in October 2021. It shows Willemijn in a green top, in a variety of speaking poses saying “I st-st-st-st-stutter. I create long silences and I am allowed to take up that space.”
Just Stutter
No items found.
Patrick Campbell
Willemijn Bolks is a stutterer and creative in the Netherlands. She has been making comics for the past few years to help herself and others understand the experience of stammering. She shares her comics on Instagram and has an online shop too. She shared this comic on International Stammering Awareness Day in October 2021. It shows Willemijn in a green top, in a variety of speaking poses saying “I st-st-st-st-stutter. I create long silences and I am allowed to take up that space.”
Just Stutter
No items found.
https://files.stutteringcommons.org/comic.m4a
Patrick Campbell
The stammering aesthetic is an aspect of the person you may often witness when you meet them face to face, but one which is never shown on a still photograph.
Stammering Pride and Prejudice: Difference not Defect
Patrick Campbell
Christopher Constantino
Sam Simpson
Patrick Campbell
The stammering aesthetic is an aspect of the person you may often witness when you meet them face to face, but one which is never shown on a still photograph.
Stammering Pride and Prejudice: Difference not Defect
Patrick Campbell
Christopher Constantino
Sam Simpson
https://files.stutteringcommons.org/as-an-aesthetic.m4a
Conor Foran
JJJJJerome Ellis’s The Clearing asks how stuttering, blackness, and music can be practices of refusal against hegemonic governance of time, speech, and encounter. Taking his glottal block stutter as a point of departure, Ellis figures the aporia and the block as clearing to consider how dysfluency, opacity, and refusal can open a new space for relation. This photo shows some of the typographic detailing in the publication.
The Clearing
No items found.
Conor Foran
JJJJJerome Ellis’s The Clearing asks how stuttering, blackness, and music can be practices of refusal against hegemonic governance of time, speech, and encounter. Taking his glottal block stutter as a point of departure, Ellis figures the aporia and the block as clearing to consider how dysfluency, opacity, and refusal can open a new space for relation. This photo shows some of the typographic detailing in the publication.
The Clearing
No items found.
https://files.stutteringcommons.org/contemporary-contributions.m4a
Conor Foran
The Stammering Collective is an international group connecting clinical, cultural and creative practice in stammering, supported by Wellcome and University College Dublin. This event poster advertises the launch of their digital archive in October 2022.
The Stammering Collective
The Stammering Collective
Conor Foran
The Stammering Collective is an international group connecting clinical, cultural and creative practice in stammering, supported by Wellcome and University College Dublin. This event poster advertises the launch of their digital archive in October 2022.
The Stammering Collective
The Stammering Collective
https://files.stutteringcommons.org/in-our-collaborations.m4a
Conor Foran
Dysfluent is an independent magazine by Conor Foran and Bart Rzeznik that explores the lived experience of stammering through interviews and essays, facilitating contrasting and challenging views. Each interview is set in Dysfluent Mono, a font representing the person’s stammer. The second issue about stammering pride was published in October 2023 and is a compilation of interviews and visual artwork celebrating and challenging stammering pride.
Dysfluent Issue 2
No items found.
Conor Foran
Dysfluent is an independent magazine by Conor Foran and Bart Rzeznik that explores the lived experience of stammering through interviews and essays, facilitating contrasting and challenging views. Each interview is set in Dysfluent Mono, a font representing the person’s stammer. The second issue about stammering pride was published in October 2023 and is a compilation of interviews and visual artwork celebrating and challenging stammering pride.
Dysfluent Issue 2
No items found.
https://files.stutteringcommons.org/publications.m4a
Conor Foran
In 'I Talk Like A River', the author Jordan Scott relates stuttering to a bubbling, churning, whirling and crashing river. This is a watercolour illustration by Sydney Smith that features in the book.
I Talk Like A River
No items found.
Conor Foran
In 'I Talk Like A River', the author Jordan Scott relates stuttering to a bubbling, churning, whirling and crashing river. This is a watercolour illustration by Sydney Smith that features in the book.
I Talk Like A River
No items found.
https://files.stutteringcommons.org/we-all-stutter-and-stammer-in-different-ways.m4a
Conor Foran
Making Waves: a stuttering pride flag was created by a group of seven people who stutter in October 2022. The flag expresses three values. First: community, represented by sea-green, symbolising the existing community that has used this colour for stuttering awareness since 2009. Second: nature, represented by the wave motif, symbolising stuttering as a natural, varied phenomenon. Third: liberation, represented by ultra-marine, symbolising the progress and passion of the stuttering pride movement. This photo was taken at the first stammering pride march in August 2023 in Victoria Park, London, and was attended by people who stutter and their allies.
Conor Foran
Making Waves: a stuttering pride flag was created by a group of seven people who stutter in October 2022. The flag expresses three values. First: community, represented by sea-green, symbolising the existing community that has used this colour for stuttering awareness since 2009. Second: nature, represented by the wave motif, symbolising stuttering as a natural, varied phenomenon. Third: liberation, represented by ultra-marine, symbolising the progress and passion of the stuttering pride movement. This photo was taken at the first stammering pride march in August 2023 in Victoria Park, London, and was attended by people who stutter and their allies.
https://files.stutteringcommons.org/we-claim-stuttering-as-a-legitimate-and-valued-form-of-speech-variation.m4a